That mirroring, though never made explicit, arrives early in the book. In some ways, the banished poet’s life even mirrors the biographer’s. But a close reading suggests that it is a return to his early themes, and a tribute to the poet he was before making his mark as a novelist. One might easily take “The Banished Immortal,” his first work of nonfiction, as a departure from his previous work. Jin, a National Book Award-winning writer, is most known for his fiction, which is largely set in China during the Cultural Revolution and in Chinese immigrant communities in the U.S. In “ The Banished Immortal,” a biography of Li, the novelist Ha Jin narrates the poet’s unusual life with erudition and empathy. In the centuries since, Li’s verse, by turns playful and profound, has made him China’s most beloved poet. Instead, he began a life of roaming-hiking up mountains to Daoist sites, meeting men of letters all over the country, and leaving behind hundreds of poems about his travels, his solitude, his friends, the moon, and the pleasures of drinking wine. In 724 A.D., the twenty-three-year-old poet Li Bai got on a boat and set out from his home region of Shu, today’s Sichuan province, in search of Daoist learnings and a political career. In his biography of Li Bai, the novelist Ha Jin narrates the banished poet’s unusual life, which, in some ways, mirrors the biographer’s.
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